Australian National Pavillion The 60th International Venice Biennale, Venice
Exhibition Review of kith & kin by Archie Moore, presented at the Australian National Pavillion The 60th International Venice Biennale, Venice, 2024. Article published on Lemonade: Art Letters.
It’s in the not knowing
Commissioned exhibition catalogue essay for Making Beds by Miranda Hine at MARS Gallery (Melbourne, Australia). The exhibition is on show from 9th May – 1st June, 2024.
Spectra
Exhibition review of Spectra at Artisan, Brisbane. Commissioned and published by Lemonade.
The shape of remembering
Exhibition Essay commissioned by exhibiting artists for Future Past, 2023 at the Queensland College of Arts (QCA), Brisbane.
Let’s Play!
Exhibition Catalogue Essay commissioned by Onespace for Renee Kire’s solo exhibition 'Any way, shape or form’ 2023.
‘Wash Over Me’ by Bridie Gillman
Exhibition Review on ‘Wash Over Me’ by Bridie Gillman at Edwina Corlette Gallery. Commissioned and published by Lemonade | Letters to Art.
Relics from the future’s past
Commissioned Exhibition Text for Polymorphic Magic by Rachael Wellisch at Redland Art Gallery Sunday 26 June – Sunday 14 August 2022.
From the outside in, and from the inside out
Commissioned responsive text to Porous by Sharna Barker & Ruby Donohoe, QCA Grey Street Gallery, 10 May 2022 to Saturday 21 May 2022.
Dopamine loading...
Exhibition Catalogue Essay commissioned by Outer Space Brisbane for Adrian Charles Smith’s solo exhibition DIS/CONNECTED, 2022.
Studio Interview With Natalie Lavelle
Sticky and Slippery Encounters
Exhibition catalogue essay commissioned by Metro Arts exhibition Lotion, 2022.
The exhibition featured Alannah Dair, Bella Deary, Evangeline Sines, Molly Smith, Zara Rose Dudley.
Under Her Skin
Exhibition Review commissioned by curators Natalie Lavelle and Sharna Barker for the Outer Space exhibition Something More, 2 June — 26 June 2021
The exhibition featured Hailey Atkins, Sharna Barker, Natalie Lavelle, Dana Lawrie, Molly Smith.
To slowly read between the lines
Exhibition catalogue essay commissioned by the Queensland College of Arts for Interference Patterns by Kahli Perkins, April 2021.
Points of Departure
Exhibition Essay commissioned by Onespace Gallery for their group exhibition DEPART, 2020.
A Determined Collective
Exhibition review (Commissioned by the exhibitions curator Ashley Lumb) for The Southeast Museum of Photography, Daytona, USA. Published by L’Oeil de la Photographie in France.
Puncture to the Wind
Room Sheet text commissioned by The Walls Art Space (Gold Coast, Australia) for ‘Pucture to the Wind’ by Kimberly Stokes, 2020.
What Constitutes the Familiar?
Commissioned exhibition catalogue text for Ether by Concrete Circle ARI, 2020.